Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealist sculpture. Together with Hanson and De Andrea, Feuerman is one of the three artists that started the Hyperrealism movement in the late seventies. Feuerman’s prolific career spans over four decades and four continents. She has produced a rich body of work in the studio and the public realm. By combining conventional sculptural materials of steel, bronze, and resin, with more unconventional media like water, light, sound, and video, Feuerman creates hybrid works of intricate energy and psychology. She has taught, lectured, and given workshops at the Metropolitan Museum of Art, the Solomon Guggenheim Museum, Columbia University, and Grounds for Sculpture. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. To this day, she continues her focus on public outdoor sculptures, working primarily in bronze. The 2017 Venice Biennale features Feuerman’s exhibition “Personal Structures, Open Borders” in conjunction with the Venice Biennale. Feuerman’s work is also exhibited at Venissa in Burano, Palazzo Mora, Palazzo Bembo, and the San Clemente Palace. Her selected collectors include the Emperor of Japan, Bill and Hillary Clinton, Norman Brahman, the Caldic Collection, and Malcolm Forbes. Feuerman seeks to connect with her viewers on an intuitive level, evoking emotion and engagement. It is often the viewer’s participation, or the object/viewer relationship, that completes her work. On an ongoing basis, Feuerman’s work can be seen in selected galleries and museums worldwide.